Release order on first experience is the only way guaranteed to not create unnecessary confusion. Works in a continuity that are released after each other tend rely upon prior knowledge of the work to accentuate the experience. Inventing a new angle to experience them through may be valuable as an artistic exercise, but it is very clearly a bad idea to recommend that angle to newcomers. Release order is specifically reliable because it tracks either the creative process/development of ideas in cases of straightforward serialization, or in case of intentionality in release order follows author intent.
The only time a bespoke work order is even debatable is in cases of an adaptation of a work that is not adapted in release order of the original work. Even then, that adaptation may work around that in a way where it makes it, too, confusing to experience outside of its own release order.

If you don’t love Pratchett at his “parodying Anne McCaffrey for 37 pages,” you don’t deserve him at his “doing extremely problematic fantasy racism with a troll named goddamned fucking Coalface whose ‘characterization’ sounds like a straight-up 4chan meme”
Paragraph 4, and CW should be obvious:
https://discworld.fandom.com/wiki/Constable_Coalface
The City Watch series is a land of contrasts
Wow, how did I not get this?
Because we’re so accustomed to racist cop dramas that it didn’t strike anyone as out-of-place in a fantasy comedy series?